Divadlo Pôtoň (SK): PASTORAL SYMPHONY
(Concert)
Mila Haugová / Markéta Plachá (SK): PEREGRINATIO PERPETUA
(Installation of poetry – Poetic installation)
Fragment 5: To Cross a River
Only fragments make wholeness. Eternal wandering is a journey to self. The powerful, feminine, fundamental verses of Mila Haugová materialize in the hands of the stage designer Markéta Plachá.
Ján Adamove (SK): TWELVE STICKS
(Ascetic installation)
An ascetic installation of 12 sticks that complement and distort the landscape, spot-mark and rhythmise the route and encourage to touch, to grasp, to carry, to photograph…
Katanari (SK): SANCTUARIES
(Visual installation)
A sequence of installations that transform hunting stands into oasis of safety. They provide protection and the promise of peace and calmness. They represent a kind of nest, den or sanctuary.
Pavel Bakajsa (SK): NEW SENSITIVITY
(Installation)
The installation, curated by Pavel Bakajsa, deals with the definition of a sensitive author and sensitive work in the contemporary context and responds to current tendencies and absences in the area of creative approaches. The selection of works defines his values and ways to a sincere and subtle perception of the creative process.
Marcela Záchenská (SK): TEARS
(Visual installation)
The installation works with the ambivalence in the meaning of the tears falling from the trees in a destroyed forest. The tears are a reaction to human interventions and at the same time a source of water for the tree and its environment.
Marcela Záchenská (SK): FOREST´S INSTALATION / STORIES
(Visual installation)
Installations created from dead wood that can be found in the forest refer to the importance of dead wood within the forest ecosystem. They raise questions about the human interventions that has been affecting it.
Martina Morger (LIE): BAT
(Audio-visual installation)
An audio-visual installation of soft piercing tones coming from the trees accompanies the pilgrims and walkers on their journey through the forest, with each day recalled as deja vu.
Andrea Laková (SK): METAMORPHOSES – ACTION
(An interactive visual installation)
The interactive visual action experiments with the photographic technique named cyanotype, through parts of the human body or moments from a journey are captured and displayed on sheets, thus transforming them into delicate traces of memory that document a shared journey.
Mila Haugová / Markéta Plachá (SK): PEREGRINATIO PERPETUA
(Installation of poetry – Poetic installation)
Fragment 6: Embrace
Only fragments make wholeness. Eternal wandering is a journey to self. The powerful, feminine, fundamental verses of Mila Haugová materialize in the hands of the stage designer Markéta Plachá.
Žeňa Melkumov (UA): BANISHED
(Visual installation)
The author sensitively deals with mankind taking hold of environment, reacts to its expansion and occupation of territories at the expense of other, not only living, species.
Andrea Kopecká (SK): PICTURES
(Visual arts)
Karin Ospelt (LIE): INVISIBLE GLUE (KOMMUN-STOFF)
(Installation)
A large-scale site-specific installation emerges as an elusive idea. The flour drawings, captured on fabric, are inspired by traditional local drapery and the endless fields surrounding Bátovce.
Karin Ospelt (LIE): THE ORGAN WITHIN (STIMM-INNEN)
(Audio installation and video-art)
Through the artist’s singing, the sound installation symbolically revives the silenced church organ. The temple´s nave serves as a skeleton that carries the sound, just like in the act of singing: the human chest moves, the lungs expand, a sound is released and the voice creates a vibrating image in the air.
Matúš Lányi (SK): ST PETERS´S BASILIKA
(Installation)
The author focuses on visualization of the ground plans of medieval cathedrals in non-traditional spaces. The ephemeral drawing of the ground plan of St. Peter’s Basilica in Rome in the meadow above the Beluj village is a representation of one of the greatest sacral buildings in the world.
Katanari (SK): SANCTUARIES
(Visual installation)
A sequence of installations that transform hunting stands into oasis of safety. They provide protection and the promise of peace and calmness. They represent a kind of nest, den or sanctuary.
Mila Haugová / Markéta Plachá (SK): PEREGRINATIO PERPETUA
(Installation of poetry – Poetic installation)
Fragment 7: The Knowledge of the Journey
Only fragments make wholeness. Eternal wandering is a journey to self. The powerful, feminine, fundamental verses of Mila Haugová materialize in the hands of the stage designer Markéta Plachá.
Ausgang studio (SK): ATEM
(Object)
The authors show where we as humanity may find ourselves at a time when technology is becoming more natural to us than living forms. Human-waste materials have adapted and are beginning to create new lifeforms.
Peter Kollár (SK): 365
(Space installation)
The 365 installation thematizes humility in its various forms. It uses identical objects arranged in space in geometrically precise lines, but always in different relationships and constellations.
Mila Haugová / Markéta Plachá (SK): PEREGRINATIO PERPETUA
(Installation of poetry – Poetic installation)
Fragment 8: A Sea Used to be Here
Only fragments make wholeness. Eternal wandering is a journey to self. The powerful, feminine, fundamental verses of Mila Haugová materialize in the hands of the stage designer Markéta Plachá.
Andrea Laková (SK): METAMORPHOSES – INSTALLATION
(Installation)
The installation is based on the results of an interactive event that the wanderers took part in during the day. Based on the moments captured during the journey, the artist creates an artwork that she transforms into a shared memory of the participants.
Martin Majlo Štefánik (SK): ALMANACH
(Concert)
The backbone of the concert evening is the premiere of a composition by the young Slovak composer Martin Majl Štefánik – Almanach Suite. The composition is complemented by meadow songs interpreted by sisters Dajana Margétová and Dominika Margétová.
The musical artwork uses folk instruments designed for period interpretation. Using a variety of compositional techniques and well-adopted technique of instrument-playing, the author defines not only our past but also our future.
